Tuesday, December 27, 2005

Contentious Traditions - from Sati to Spirituality

“So much of human suffering lies not in the circumstances in which we find ourselves, but rather in the nature of our response to them.”

How do you react to a thought such as this? Raise your eyebrows and dismiss it as one of many vapid lines from some new-age guru? Wonder if the person writing this has ever thought about or understood how structural inequalities determine lives of millions around the world?

The sentence I quote above is from the second half of a book. Now what if I add that the first half is a brilliant first-person account of the social construction of illness. Consider that this author has also written, in another life, a highly regarded book that analyses the debate on sati in colonial India? Would it influence your opinion if you knew that the author was, in a previous life, a postcolonial-feminist scholar who taught in the Women’s Studies program at UC-Davis? Would you then be willing to read the quote above without smirking or dismissing it as new-age drivel?

I am talking about Interleaves: Ruminations on Illness and Spiritual Life, written by Lata Mani. Lata Mani, while commuting to the UC-Davis campus, was hit by a stolen Pepsi truck traveling at 100 mph. After several years spent in coma, and many painful years of gradual recovery, she decided to write.
Interleaves explores my mind’s disintegration as the result of brain injury, and my baptism of fire into a new status as a disabled person. Like others who have faced catastrophic health crises, I learned more than I would have cared to, about the social construction of illness.

Interleaves
is also a chronicle of my awakening to God, in the form of Devi, the Divine Mother, who came to fetch me from the debris in which I had crash-landed. I am immeasurably grateful to the Divine Mother for rescuing me into her arms and for pouring into my consciousness instruction in the art of living” (p.7).
I had read about Interleaves in The Hindu several years back, but never managed to find a copy. Two days back, I found one in Lawrence Liang’s ALF office. And I agreed with Lawrence when he said it was very difficult to come to terms with a book like this. It is not so much that Lata Mani’s writings on spirituality are radically new – she says in the very beginning that the “instruction she received” is nothing new, that it is in fact, “ancient truth.” The difficulty lies in coming to terms with vocabulary that academia shuns, particularly those who are wedded to a left-secular worldview.

Needless to say, I would not have bothered to give this book a second glance had I not known more about the author, her previous life as an academic who wrote very knowledgeably about power, colonial discourse and the agency of the colonized. I would have also, perhaps, tossed aside the book if it was only about spirituality. I will admit that what drew me in was the first half of the book, a wonderful first-person account of the social construction of illness.

In one chapter titled “Surreal Stories: on Yogis, Dentists, and the Art of Listening,” she writes about her visits to various medical practitioners.
“I am sitting in the dentist’s chair…he is compassionate. He seems to understand, at least, that I am in physical distress…just as I am settling into something resembling comfort, he says, “Can you go jogging, or does it make your brain jump up and down?” And I wonder if he has understood a single word that I have spoken. But he is smiling, and the kindness in his eyes is genuine. I simply say, “No,” and he begins to drill” [p.47-48].
When I read these lines, I was immediately reminded of an article that Lata Mani had written in which she narrates another encounter in a doctor’s office.
"I am lying in wait for the complex verbal negotiation that attends each visit to my acupuncturist. I want a diagnosis--a definable illness, a definite cure...he asks the dreaded question: 'Well, what is your Ph.D. thesis about?' I blurted out what I consider my minimalist 'no-nonsense' description: 'I am working on the debate between colonial officials, missionaries and the indigenous male eite on sati (widow burning) in colonial India'."
At this point he turned away from my foot, into which he had just finished inserting needles, and asked, 'So, how do you understand widow burning?' I felt myself stiffen. He had thrown me a challenge that would require a command performance in colonial and post-colonial history and discourse, one that I did not feel equal to at the time. So I said evasively, 'It's a long story and I'm trying to sort it out'.
'Good', said the genial man in the white coat tapping my arm. Not waiting for a response, he continued. 'Of course, you are Westernized and your ideas have probably changed from living here. I wonder what women in India feel about it?' So saying, he left the room." [Rest of the thought-provoking article here]
From sati to spirituality – both highly contentious traditions in everyday life in India, and in the world of the Western academy. Positioned as a graduate student in the U.S., but as someone who grew up in homes and neighborhoods in parts of Chennai and Bangalore where “spirituality” was always the subtext to religious ritual, I am not at all sure how to make a book like Interleaves a part of what I would naturally read.

But then, I am also reminded of Milton Singer’s term – compartmentalized identities – to describe Brahmins in Chennai who are equally at ease performing their daily morning rituals (that are seemingly irrational/pre-modern) and going to a workplace that values all that is rational and modern. Like A. K. Ramanjan’s father who was both a mathematician and an astrologist!

Wednesday, December 21, 2005

Games for an Indian Market II


Hi guys,
I'm sorry to disturb the serene pre-Christmas atmosphere on this blog with petty issues of money-making :) but I'd like to hear your thoughts about some insights, Asif, my Pakistani suite mate shared with me tonight about the media market in (t)his area.
I don't know how we arrived at that topic but since he told me earlier that movies and Playstation games are available in high-quality pirated versions in Karachi for $1 apiece, I was seriously wondering how it was possible to develop a healthy market out of this and even intervene with ideas like commercial quality games in that market. That's what he told me:

fact 1) there are copyright laws in Pakistan/India but only regional companies seem to enforce them. EA doesn't enforce these laws for their games but apparently makes money otherwise. On the contrary, Aamir Khan released Lagaan in India/Pakistan under a strict no-piracy policy and got away with it!!

fact 2) There are usually no copies of Pakistani (and Indian?) media properties on the respective market except some bad-quality MP3s of Pakistani music. The only pirated media available are foreign properties; something like a national 'code of honor' for media consumption - a very interesting concept!

fact 3) Big foreign companies even seem to encourage the pirating of their properties in the region and have 'secret' agreements with the multipliers to get a *very* small percentage of the money back (multiplied by a huge number of consumers!!!). That would explain why in Germany basically only pirated versions of Bollywood movies are available in Indian stores (for 5€ or so); maybe Eros & Co. have agreements with those stores, too, about pirating their movies?

I.e. a property like Ashoka, produced by an Indian company with an Indian theme, is bound to do well because the hardware installed base (PS2 consoles available) seems to be enormous because of the low game prices, will fall under a potentially similar Indian 'code of honor' and will not excessively be pirated, and can sell for a proportionally higher price than pirated foreign games.

Does this seem totally out of the blue for you? It sounds pretty far-fetched but as an outsider to the regional media industry of India, Pakistan etc., I can believe that the main hurdle for companies to enter that market is the ignorance of regional, often unspoken culturally specific market rules. In that light it would make perfect sense for EA to partner with Indiagames as they recently did to circumvent the entry barrier they would have as a foreign company.

I would really like to hear your thoughts on those 'facts'. I wonder how much 'market ethnography' has really been conducted outside of huge companies like EA... :)

Anyway, have yourself a merry little christmas and let it not be spoiled by this brief capitalistic interlude ;-) I'm myself looking forward to a nice christmas dinner with friends tomorrow (you hear that, Parmesh? ;)) and I'm even planning to go to Trinity church on christmas eve!

-Stefan

Tendonitis


Bound to happen... to much laptop clicking and mouse moving! Now, I'm going to rest my arm for the next week, lay off the computer for a bit (like that's possible!) and pray that I recover soon. Check out the doctor prescribed splint I have to wear all the time.

Monday, December 19, 2005

Serendipity



Two days of serendipitous encounters. The first was reconnecting with Yusuf after some months - we last went to see the frightful Bee Season together. Yesterday, as Simran and I were doing a round of shopping and hanging out at Newbury Street's Virgin megastore, who should we see but the delectable Yusuf. Simran, of course, fell in love with his shaayari, his impeccable Urdu, and his witticisms, we had major round of Indo-Pak bonding and writing down words in Hindi, Urdu and English, accompanied by a wonderful snack at the Trident bookshop and cafe. We also talked incessantly about Sridevi - naturally, with Yusuf being there and all.... :-)
Then today, I connected with the phenomenal Dr. Nandini Manjrekar - who's at MIT for a year in the women's studies department. Nandini had given a talk at MIT a few months ago, on women and Gujarat riots, which I'd attended. Today, we met up so that I could give her a copy of Manjuben Truckdriver (brilliant film that I screened at the MIT South Asian LBGT film fest. a year ago) for her forthcoming class at MIT. As we chatted, we realized that we had a lot in common, including childhoods in Colaba, Bombay, TIFR friends, and even the same school - St. Joseph's, Colaba!!! Woo hoo, I now know a fellow Josephite at MIT. :-) Such fun, ya.

Saturday, December 17, 2005

Why I love Bombay....


From Gregory David Roberts' homepage (The author of Shantaram which I've been dying to read for some months now....)

There are so many things that make Bombay special: the cool breezes that caress the island city are like kisses from the sky itself; the music that’s everywhere, in every car and shop and open window, as if the city is perfumed with sound; the movie posters, soaring above, like dreams in the mind of the street; the gorgeousness of women, where the city is a temple, and the women of Bombay are its Goddesses; the Parsee community – can any city that doesn’t have a Parsee community ever call itself great – and every other sector in the gad-bad mix of faces from a million places; the best restaurants, serving the best food on the planet; the easy affection and enduring friendships between the men; and beyond all the colours, tastes, smells, and textures of Her, there’s the fact of Bombay’s ineffable beauty. She is beautiful, proud, dangerous, charismatic, and compassionate. I could go on, but I think you probably get the idea why amchi Mumbai is special to me, na?

I couldn't have said it better. (Which is why I didn't, and cut-paste instead. :-)
Link

Tuesday, December 13, 2005

True pleasure... from AO Scott


True pleasure lies in the satisfaction gleaned from browsing through a well written movie review. In the age of text messaging and instant messaging, I find the following lines, from AO Scott's New York Times review of King Kong, sensual, seductive, and old-worldly reassuring:

Come to think of it, there is a touch of Fellini in Mr. Jackson's sentimental, ambivalent love of theater and spectacle. Returning to New York, "King Kong" evolves from jungle adventure to pop tragedy, as the big monkey becomes a symbol for ... well, for quite a few things, not all of them coherent. According to Denham, his captivity and display prove the power of show business to make the mysteries of creation available to anyone with the price of admission. In his mouth, this sounds both appealingly democratic and grossly cynical, which is fitting enough, since that is precisely the paradox Mr. Jackson embraces. He intuitively understands that the machinery of mass spectacle has the power to despoil and demystify whatever it touches and, at the same time, the ability to endow easy pleasures with a durable and genuine nobility. The climax of "King Kong" - one of the most familiar sequences in movies, and one that never grows old - exemplifies both tendencies. It is shameless and exalted, absurd and sublime, vulgar and grand. It's what movies were made for.

Wah! Wah! Kya baat hai! I'll buy a ticket, just for this review!

Sunday, December 11, 2005

Whirlwind of activities!


Such a long absence for my own blog. Very bad, na! But what to do, apun ki life hi aisi hai. So many things happening and 2005 is going by in a whirlwind of activities. Some highlights of the past few weeks:

1. Multiple Thanksgiving parties... Kai and Rob's was more traditional...with turkey (tofurkey, for the veggies :-), ham, pumpkin pie, the works...yummy, as always, and the boys are such wonderful hosts! Sajan and Anne, equally wonderful threw a more fusiony party - with apple pie and curd rice, and Main Hoon Na songs playing on the DVD to top it all.
2. Friends coming over...since our apartment is so small, we're only able to host 2 or 3 people at a time. Keeping this in mind, we've been entertaining at a fairly regular pace now...
3. Wonderful sit down dinner at Sophia's - pan seared tuna fillets with lemon butter, asparagus cooked to perfection, yummy salad, ice cream drenched with Godiva liqueur...must remember to get that for home.
4. Brunch at Joyce's with Murray, my Boston host parent, where Joyce literally received a sign from above. As she was hanging up my coat, a huge metal sign hanging in her wall fell down, and slashed her wrist. While she spent three hours in a hospital trying to get it stiched, all of us brunched away at her home!
5. The new Harry Potter, preceded by a high tea with Raul and Aidita at Aidita's wonderful Brookline pad. Loved, loved, loved the film.
6. Talk on Soft Power by ex dean of Harvard's Kennedy School of Government Joseph Nye. I like the concept and believe in it completely, but Nye's talk seemed rather basic. Maybe I was looking for excessive complexity, or maybe I was just sleepy.
7. Grant McCracken visit to MIT - which I co-ordinated as a sponsor visit for C3. We had folks from our partner companies like GSDM and MTV attend... and the day went off fabulously. I loved Grant's talk on the multiple self... he traced a thought loop, in his inimitable way, that covered Durkheim, The Nutty Professor, Blogs, MMORPGs, makeover shows, political science, and much, much more.
8. MIT Professors Tuli and Abhijit Banerjee's film screening - The Name of the Disease, and extremely compelling and thought provoking documentary that two of my favourite people in Boston made during their visits to India. The film covered attitudes and practices towards disease in and around a Rajasthan village community. Shocking in terms of how the villagers get fucked multiple times - by official govt. doctors (their absence, rather), unofficial "Bengali" doctors, shamans or "bhoopas", etc. Saw this sitting on the floor (yes, it was a full house! Documentary films also get full houses, don't be surprised :-) with Bombay-soulmate Simran Thadani, who had just gotten back from a trip to the homeland...which I am happy to report, continues to "rock" on, as ever.
9. Wave of Christmas parties... Murray's delightful do, James Nadeu's elegant wine and cheese soiree...I wore my rani pink raw silk pants to both, where they were quite well received.
10. Snow, snow and more snow... yes, winter is finally here.
11. Finally, lots of work... the consortium is moving ahead at breakneck speed, we're shifting gears and there have been a lot of achievements over the past month, and lots more to follow in the months ahead. It's looking good - I'm psyched. :-)

Sunday, December 04, 2005

Asian narratives of holiday trips


I went on a day trip to NYC yesterday, organized (and sponsored! :) ) by the MIT Singapore program. It was both a very enjoyable and, in many ways, enlightening experience. The most fascinating thing for me, however, was how my Chinese friend and fellow MIT student Ting I explored the city with made sense of what she saw.
I always wanted to understand the logic behind Asian people taking holiday pictures like the one above and I think I'm getting closer :)
I learned e.g. that the motif has to be "meaningful", i.e. capture an essential element of the place. Furthermore, buildings usually should be on the photo in total, even if that means shooting from a totally improbable angle. There are, however, some exceptions to that rule, e.g. if the "meaningful" part of it has to be in the center and doesn't allow for the whole building being captured. There are also immensely complex rules for the spatial relationship between the person being on the picture and the place/thing being photographed; sometimes the person should be in the center but with some buildings, especially higher, tower-shaped ones, the person should frame the building, either on the left or on the right side.
The selection of what should be photographed and what is desirable but optional is yet another, even more complex topic.
There is so much underlying narrative stuffed into the resulting holiday photos (like the one above), of an ongoing struggle between how we expect a city to be and the 'material' we encounter to take our pictures of.
Ting, if you read this, I really enjoyed our trip and I'd certainly want to do it again, not only for understanding the 'missing parts' ;-)
Warm greetings from snowy Cambridge,

Stefan

Thursday, December 01, 2005

is old art still the best art?


And now for something completely different... :)
I recently went to see the modern art section of the MFA in Boston with Peter, a friend and fellow MIT visiting scholar and himself an aspiring media artist producing 'art without quotes', i.e. art in contested public spaces where you never know whether it's meant to be provocative or where the potential provocation comes from.
All the MFA exhibits, including Zhang Huan covering himself with birdseed and posing nude in a giant bird cage (sic!), didn't do much for me, though...
And then I read this story about Picasso's Guernica being covered at the request of Bush Administration officials for a broadcasted press conference, in which Colin Powell made his case for the invasion of Iraq! I'm not sure if all those explicitly provocative artists like Huang, Bruce Naumann & Co. will have such an impact, even 68 years from now. Maybe that has to do with the fact that those artists are more concerned with themselves than with what they criticize? (try to read over the sarcastic undertone...).
Maybe, instead of asking people to put Guernica replicas on public billboards, Unger should ask people to put it on the front pages of their websites. Well, he has my website for a start... ;-)
Cheers,
Stefan